Pedro Orrente, 1625 - Răstignirea - tipărit de artă

59,99 €

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Informații despre fondul produsului art

Această capodoperă a fost creată de Pedro Orrente în 1625. Dincolo 390 year old original measures the size: 48 3/4 × 40 1/2 in (123,8 × 102,9 cm) and was produced with the medium oil on canvas. This artpiece can be viewed in in the Muzeul Metropolitan de Artă collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of The Metropolitan Museum of Art, New York, Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014 (licențiat: domeniu public). The creditline of the artwork is: Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014. What is more, the alignment is in portrait format and has an aspect ratio of 1 : 1.2, which implies that lungimea este cu 20% mai scurtă decât lățimea. The painter Pedro Orrente was an artist, whose art style was primarily Baroque. The Spanish artist lived for ani 65 - născut în 1580 și decedat în anul 1645.

Alegeți o opțiune de material pentru produs

The product dropdown menu provides you with the chance to select your individual material and size. The following sizes and materials are the options we offer you for individualization:

  • Imprimare metalică (aluminiu dibond): These are metal prints on aluminium dibond material with a true depth. The non-reflective surface creates a fashionable look. The colors of the print are luminous, the fine details appear very clear.
  • Imprimarea pânzei: The printed canvas material stretched on a wood stretcher frame. A canvas print generates a soft and warm effect. Canvas Prints have the advantage of being low in weight, meaning that it is easy to hang up your Canvas print without the help of any wall-mounts. That is why, canvas prints are suitable for all kinds of walls.
  • Afiș tipărit (material pânză): The poster print is a printed cotton canvas with a slightly rough finish on the surface. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing with a custom frame.
  • Imprimare sticlă acrilică: An acrylic glass print, which is sometimes referred to as a print on plexiglass, will turn an artwork into beautiful wall decoration. The artwork is printed with modern UV print technology. This has the impression of sharp and vivid colors.

Important: We make every effort to depict the art products with as many details as possible and to display them visually in our shop. Please keep in mind that the tone of the print products, as well as the printing might vary to a certain extent from the image on your screen. Depending on your screen settings and the quality of the surface, not all colors can be printed as realisitcally as the digital version on this website. Considering that all the fine art prints are printed and processed manually, there may as well be minor discrepancies in the motif's exact position and the size.

produsul

Categorizarea produsului: reproducerea artei
Mod de reproducere: reproducere digitală
Metoda de producție: printare digitala
De fabricație: fabricat în Germania
Tip de stoc: producție la cerere
Utilizare intenționată: decor de casă, colecție de artă (reproduceri)
Orientare: format portret
Raportul imaginii: 1: 1.2 lungime până la lățime
Raportul imaginii însemnând: lungimea este cu 20% mai scurtă decât lățimea
Opțiuni de țesături: imprimare poster (hârtie pânză), imprimare metalică (dibond de aluminiu), imprimare pânză, imprimare sticlă acrilică (cu acoperire de sticlă reală)
Imprimare pânză (pânză pe cadru targă) dimensiuni: 50x60cm - 20x24 ", 100x120cm - 39x47", 150x180cm - 59x71 "
Amprenta din sticlă acrilică (cu acoperire din sticlă reală): 50x60cm - 20x24 ", 100x120cm - 39x47", 150x180cm - 59x71 "
Variante de tipărire poster (hârtie pânză): 50x60cm - 20x24 ", 100x120cm - 39x47"
Variante dimensiune imprimare aluminiu: 50x60cm - 20x24 ", 100x120cm - 39x47"
Cadru: produs nefondat

Informații de fundal pentru lucrări de artă

Obiect de artă: „Răstignirea”
Clasificarea operei de artă: pictura
Termen generic: arta clasică
Perioadă: 17th secolul al
Creat în anul: 1625
Vârsta lucrărilor de artă: ani 390
Mediul de opera original: ulei pe panza
Dimensiune originală: 48 × 3 cm 4 40/1 × 2 123,8/102,9 in
Muzeu: Muzeul de Artă Metropolitan
Locația muzeului: New York City, New York, Statele Unite ale Americii
Site-ul muzeului: www.metmuseum.org
Tipul licenței: domeniu public
Curtoazie de: The Metropolitan Museum of Art, New York, Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014
Linie de credit lucrare: Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014

Tabel cu metadate artist

Numele artistului: Pedro Orrente
De asemenea cunoscut ca si: Pedro Orrente, pedro rrente, Pedro renti, mro Pedro orr^Tte^R, Orrente, orriente, Pedro orantte, Pedro dorrente, orrentte, Pedro Orente, Orrente Pedro, P.o orrente, Orrenti, P^To^R Rente, Pedro Orentes, Orrente Pedro de, Bassano Español El, Pedro orentte, Jumilla Pedro de Orrente, pedro Lorente, orente, Orrente y Jumilla Pedro de, orentte, Pedro Orrentte, Rente Pedro, Pedro Rente, p^To^R renti, Pedro renz
Sexul artistului: masculin
Naţionalitate: Spaniolă
Joburi ale artistului: pictor
Țara artistului: Spania
Categorie artist: bătrân stăpân
Stiluri ale artistului: Baroc
Durata de viata: ani 65
Născut: 1580
A murit în anul: 1645

© Copyright protejat | Artprinta.com (Artprinta)

What does the The Metropolitan Museum of Art say about the 17th century work of art from the painter Pedro Orrente? (© Copyright - Muzeul Metropolitan de Artă - Muzeul de Artă Metropolitan)

As recounted in the Gospel of Matthew 27:45-49, Christ has called out from the cross to God, and a bystander has “fetched a sponge, which he soaked in sour wine, and held it to his lips on the end of a cane.” Saint John stands below the cross as the Virgin Mary and two companions arrive, mourning, while three soldiers at left gamble for Christ's tunic. The figure on the ladder is a particularly brilliant narrative interpolation.Pedro Orrente spent time in Venice and Rome. Upon his return to Spain he worked in Toledo, where he knew El Greco, whose work must suddenly have looked old fashioned compared to the new naturalism of Caravaggesque painting. This is the finest of a much-repeated composition.

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