Théodore Rousseau, 1846 - Pădurea în timpul iernii la apusul soarelui - tipărit de artă
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Asta s-a terminat 170 operă de artă veche de ani numită Pădurea iarna la apus a fost creat de masculin artist Théodore Rousseau. The artwork was made with the size: 64 x 102 3/8 in (162,6 x 260 cm). Oil on canvas was used by the European artist as the medium of the artpiece. It belongs to the art collection of Muzeul de Artă Metropolitan, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Gift of P. A. B. Widener, 1911 (licențiat - domeniu public). Creditline of the artwork: Gift of P. A. B. Widener, 1911. In addition to this, the alignment of the digital reproduction is peisaj cu un raport lateral de 3: 2, ceea ce implică asta lungimea este cu 50% mai lungă decât lățimea. Théodore Rousseau was a male painter from France, whose art style was primarily Realism. The Realist artist was born in the year 1812 la Paris, Franța și a murit la vârsta de 55 în 1867 în Barbizon, Franța.
Opțiunile despre materialul produsului dvs.
Meniul derulant al produsului vă oferă posibilitatea de a vă selecta dimensiunea și materialul individual. Puteți alege dintre următoarele opțiuni de personalizare a produsului:
- Imprimare sticlă acrilică: The acrylic glass print, often denoted as a fine art print on plexiglass, changes your chosen original artwork into magnificient home decoration. The work of art is made with modern UV direct printing technology. This creates the impression of vivid, stunning colors. The great upside of a plexiglass fine art print is that contrasts and smaller painting details will be recognizeable thanks to the very subtle gradation of the picture. Our real glass coating protects your chosen art replica against sunlight and external influences for many years.
- Afiș tipărit (material pânză): The poster is a printed flat canvas paper with a nice finish on the surface. A poster print is best designed for framing the fine art print using a customized frame. Please note, that depending on the absolute size of the poster we add a white margin of something between 2-6 cm round about the artwork to facilitate the framing with your custom frame.
- Pânză: The UV printed canvas stretched on a wooden frame. The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang your Canvas print without the use of any wall-mounts. Canvas prints are suited for any type of wall.
- Dibond de aluminiu: Aluminium Dibond prints are prints on metal with a true effect of depth. A direct Aluminium Dibond Print is the perfect introduction to fine art reproductions on aluminum. For your Direct Aluminium Dibond print, we print your favorite work of art right on the surface of the aluminum. The colors are luminous in the highest definition, fine details are crisp and clear, and there’s a matte look that you can literally feel.
Informații importante: We try everything in order to describe the products as clearly as possible and to illustrate them visually. However, the tone of the print materials and the imprint can vary slightly from the representation on your device's monitor. Depending on your screen settings and the condition of the surface, not all colors will be printed 100% realistically. Because our art reproductions are processed and printed manually, there may as well be slight discrepancies in the size and exact position of the motif.
Tabelul articolului
Tip produs: | arta de perete |
Reproducere: | reproducere în format digital |
Tehnica de fabricație: | Imprimare directă UV |
De fabricație: | Germană-a făcut |
Tipul de stoc: | la cerere |
Utilizarea produsului: | decor de perete, galerie de perete |
Orientare: | formatul peisajului |
Raportul imaginii: | 3: 2 - (lungime: lățime) |
Interpretare: | lungimea este cu 50% mai lungă decât lățimea |
Variante disponibile: | imprimare poster (hârtie pânză), imprimare metalică (dibond de aluminiu), imprimare pânză, imprimare sticlă acrilică (cu acoperire de sticlă reală) |
Imprime pe panza (panza pe rama targa): | 30x20cm - 12x8 ", 60x40cm - 24x16", 90x60cm - 35x24 ", 120x80cm - 47x31", 150x100cm - 59x39 " |
Variante de imprimare pe sticlă acrilică (cu acoperire de sticlă reală): | 30x20cm - 12x8 ", 60x40cm - 24x16", 90x60cm - 35x24 ", 120x80cm - 47x31", 150x100cm - 59x39 " |
Opțiuni de imprimare poster (hârtie pânză): | 60x40cm - 24x16 ", 90x60cm - 35x24", 120x80cm - 47x31 " |
Imprimare dibond din aluminiu: | 30x20cm - 12x8 ", 60x40cm - 24x16", 90x60cm - 35x24 ", 120x80cm - 47x31" |
Încadrarea copiei artei: | copie de artă neframificată |
Informații de fundal pentru lucrări de artă
Numele tabloului: | "The Forest in Winter at Sunset" |
Clasificarea operei de artă: | pictura |
Categorie largă: | Modern Art |
Timp: | 19th secolul al |
Creat în: | 1846 |
Vârsta lucrărilor de artă: | în jur de 170 de ani |
Mediul de opera original: | ulei pe panza |
Dimensiuni originale (lucrări de artă): | 64 x 102/3 in (8 x 162,6 cm) |
Muzeul / locația: | Muzeul de Artă Metropolitan |
Locul muzeului: | New York City, New York, Statele Unite ale Americii |
Pagina web a muzeului: | www.metmuseum.org |
Licență de artă: | domeniu public |
Curtoazie de: | The Metropolitan Museum of Art, New York, Gift of P. A. B. Widener, 1911 |
Linie de credit lucrare: | Gift of P. A. B. Widener, 1911 |
Despre pictor
Numele artistului: | Théodore Rousseau |
Genul artistului: | masculin |
Naționalitatea artistului: | Franceză |
Profesii ale artistului: | pictor |
Tara natala: | Franţa |
Clasificarea artistului: | artist modern |
Stiluri de artă: | Realism |
Durata de viață: | ani 55 |
Născut: | 1812 |
Orasul natal: | Paris, Franța |
A murit în anul: | 1867 |
Orașul morții: | Barbizon, Franța |
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Descriere suplimentară de la Muzeul Metropolitan de Artă (© Copyright - Muzeul Metropolitan de Artă - Muzeul de Artă Metropolitan)
Unrivaled for its scale and ambition, this monumental forest scene was begun early in Rousseau's career and remained unfinished at the time of his death, despite the urging of Millet and other artist friends to complete and exhibit it. By one account, Rousseau’s intention was to recreate the effect of a sunset he had seen in Bas-Bréau, a section of Fontainebleau forest, in December 1845. The tangled web of trees, denuded of foliage and suffused with deep color, conveys a sense of awe before nature that is amplified by the presence of two stooped peasants at the center.