Albert Pinkham Ryder, 1880 - Toilers of the Sea - imprimare de artă

Specificația produsului tehnic

Această piesă de artă din secolul al XIX-lea a fost realizată de american painter Albert Pinkham Ryder in the year 1880. 140 versiunea veche de ani a operei de artă a fost pictată cu dimensiunea: 11/1 x 2 in (12 x 29,2 cm). Ulei pe lemn was applied by the North American artist as the technique for the artwork. The work of art can be viewed in in the Muzeul Metropolitan de Artă colecție digitală în New York City, New York, Statele Unite ale Americii. Acest Modern Art domeniu public piesa de artă este livrată cu amabilitatea Muzeul Metropolitan de Artă, New York, Fondul George A. Hearn, 1915. The creditline of the artpiece is the following: George A. Hearn Fund, 1915. Further, the alignment of the digital reproduction is pătrat și are un raport de 1: 1, ceea ce înseamnă că lungimea este egală cu lățimea. Albert Pinkham Ryder was a male artist, painter, whose style can be classified as Symbolism. The Symbolist painter was born in 1847 in New Bedford, Bristol county, Massachusetts, United States and died at the age of 70 în 1917 în Elmhurst, New York City, statul New York, Statele Unite, cartier.

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Meniul derulant al produsului vă oferă posibilitatea de a selecta materialul și dimensiunea preferate. Următoarele opțiuni sunt disponibile pentru individualizare:

• Afiș (material pânză): A poster is a UV printed sheet of canvas paper with a granular finish on the surface, which resembles the actual version of the masterpiece. Please note, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm round about the artwork, which facilitates the framing.
• Imprimarea pânzei: The canvas print, not to be confused with a painting on a canvas, is an image printed on an industrial printing machine. In addition to that, a printed canvas makes a nice and pleasing look. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without any wall-mounts. Therefore, a canvas print is suitable for any type of wall.
• Imprimare sticlă acrilică: The print on acrylic glass, often labelled as a an art print on plexiglass, transforms your favorite original artwork into lovely wall décor and makes a great alternative option to canvas or dibond prints.
• Imprimare dibond din aluminiu (metal): An Aluminium Dibond print is a print with an outstanding depth effect - for a modern look and non-reflective surface. For the Aluminium Dibond print, we print your selected artwork right onto the aluminium composite white-primed surface. The bright & white sections of the work of art shimmer with a silk gloss but without the glow. This direct UV print on aluminium is one of the most demanded entry-level products and is a truly contemporary way to showcase fine art prints, because it puts all of the viewer’s focus on the artwork.

Notă juridică importantă: We try the best we can in order to describe our art products as precisely as possible and to illustrate them visually. Although, the pigments of the printed materials, as well as the print result may diverge to a certain extent from the image on the device's screen. Depending on the settings of your screen and the nature of the surface, colors may not be printed 100% realistically. Bearing in mind that all the art reproductions are printed and processed manually, there might as well be slight differences in the motif's exact position and the size.

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Detalii despre piesa de artă originală

Pictorul

Acest text este protejat prin drepturi de autor ©, Artprinta (www.artprinta.com)

Specificații suplimentare furnizate de pe site-ul muzeului (© - Muzeul Metropolitan de Artă - Muzeul de Artă Metropolitan)

Ryder probably either selected or approved the title of this painting, which relates it to Victor Hugo’s famous 1866 novel of the same name (Les travailleurs de la mer, in the original French). The painting could illustrate any one of several scenes in that novel, which features a fisherman character whose personality and attitudes resemble Ryder’s own. The surface has changed and suffered over the years; still, as with most of Ryder’s works, the composition conveys the artist’s vision of the mystical relationship between people and nature.