Friedrich Heinrich Füger, 1814 - Alegoria cu privire la binecuvântările păcii - tipărit de artă

Cu atât mai mult decât 200 operă de artă veche de ani numită Allegory on the blessings of peace was painted by Friedrich Heinrich Füger. The painting had the size: 315 x 252 cm - frame: 322 × 259 × 5 cm. Ulei pe panza was applied by the artist as the technique for the artwork. The original artwork was inscribed with the following information - signed and dated lower right: Henricus Füger faciebat. This piece of art can be viewed in in the Belvedere's digital art collection, which is located in Vienna, Austria. We are glad to mention that this domeniu public work of art is being supplied with courtesy of © Belvedere, Vienna, inventory number: 3765. Additionally, the work of art has the creditline: transfer from the Kunsthistorisches Museum, Vienna. - 1940 inventory in 1921. The alignment of the digital reproduction is portrait with an image ratio of 1: 1.2, Ceea ce înseamnă că lungimea este cu 20% mai scurtă decât lățimea. The painter Friedrich Heinrich Füger was an artist, whose style was mainly Classicism. The Classicist artist lived for ani 67 and was born in 1751 in Heilbronn and passed away in 1818.

What does the original artwork description of the Belvedere state about the artwork made by Friedrich Heinrich Füger? (© - Belvedere - Belvedere)

This allegorical history painting is one of the last great works Friedrich Heinrich Füger. Emperor Franz I./II. is shown here as a man but as antique-style bust. Thus it is raised to a higher, classic, timeless level. Three Genii hold the attributes cornucopia, palm and laurel wreath, which stand for wealth and fertility, peace and victory. About the stone bust of triangular rays Nimbus symbolizes the Christian Trinity. The personification of belief (Agenzia) on the right side is shown as a Roman Vestal with cross. The garlanded with reeds river god is the Danube. The people from the people on the left ask for justice, peace and prosperity. A man holding the iron shackles on high, points to the liberation of the Napoleonic domination (1814). The plinth inscription refers to this as Franz I./II. referred to herein as the liberator of the home and the church. The latter title earned the Emperor by the withdrawal of many reforms of his uncle Joseph II. Predecessors of this painting are, according to Michael Krapf the "Apotheosis of Emperor Joseph II." (1779) and "Venetia and Dalmatia homage Emperor Francis II." (1797) by the same artist. [¹] Robert Keil points out that had Füger showed a live image "Emperor Franz as the liberator of Germania and Austrias" already on 23 February 1814 staged. Even here, the emperor was represented as a bust [²]. Notes: [1] Krapf, Michael, in:. History of Fine Art in Austria, Vol 5, ed. v. Gerbert Frodl, Munich et al 2002, p.336 f. [2] Keil, Robert: Heinrich Füger. 1751-1818. Only a few is granted to the light of truth to see, Vienna 2009, p.114 [Catherine Lovecký 6/2010]

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